Sunday, June 28, 2009
Vulture (Ajmaq)
Ajmaq natives excel in their chosen careers, becoming comfortable with authority figures without giving up personal power. Pardon and sin, the dark of the night and the first ray of morning light represent Ajmaq: there is a duality barely perceptible in this sign. When the vulture ravenously devours carrion it transforms its energy. In this way, the Vulture is the Mayan symbol of rebirth and regeneration -- like the phoenix rising from the fire. The story goes that a Vulture native's offenses and irresponsibility’s have been eternally pardoned. That being said, the word "ajmaq" means "sinner" in K'iche'.
Ajmaq, in addition to pardon, is a day for introspection. In ancient times, this was a day of rest in which you reflected upon your acts and their consequences, whether they were conscious or unconscious. The major an Ajmaq person can commit is to disbelieve in oneself. Therefore, this is a favorable day to ask forgiveness for the offenses that you have committed against yourself. Ajmaq is also a day that one recuperates and connects with the visions of universal reality. The Vulture is well connected with the elders and authority and in this way is wise.
Saturday, June 27, 2009
Road (E)
This sign is the energy of the action, the energy that acquires experience while opening roads. The intermediation, the search of new things and the conciliation among different visions. Road people bring in an innovative strength that at times provokes confrontation. They know which way is the right way and are not shy to tell other people.
Flint (Tijax)
Incense - No'j
Wednesday, June 10, 2009
The Wind (iq')
The Storm (Kawak)
Tuesday, June 9, 2009
The Night
Shimmering verbal talent comes from the fact that Night people have one foot in the otherworld. This can be a positive or negative quality. Night people can spin webs of lies as easily as they can unleash the floodgates of their wisdom and insight. Also, there is a kind of manic-depressive quality to them, moving from joy to tears in the blink of an eye. Monkey, their future sign, gives them a flare for trickery and they may often sink into addictions to gambling. Behind the Night person is the loud Eagle who cries out powerfully for whatever it wants. In this way, all the personality of the Night person combines to help her get what she wants. According to the K'iche' Maya, Night people are endowed with body lightning and make excellent diviners or daykeepers. People of the night are likely to have excellent artistic talents.
The sign is an ambiguous form that most Mayanists believe is the symbol of Pacal's underground treasure-house.
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Back to the Sacred Calendar
Saturday, May 30, 2009
The Eagle
The Eagle is a sign of passion and desire. These people expect to sore above the crowd and be able to swoop down for what it wants with lightening-quick reflexes. For this reason, they are likely to become wealthy. Because of Eagle's connection with the Sun, Eagle natives are said to shine as religious professionals.
It's important for the Eagle people to remain balanced in the very center of their beings. The past and future signs are deer and night, which both possess large quantities of body lightening. Water and Crocodile are the right and left hand powers, respectively. This means if they lose balance they will suffer from the wild pull of the crocodile or the dangerous pull of water, which has a penchant for illness. Eagles must navigate their turbulent emotions and be guided by the light of the sun into conscious awareness.
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Back to the Sacred Calendar
Serpent
The Serpent underscores ambivalence. Serpents possess a power that is both highly magical and intensely sexual--Clint Eastwood (9 Serpent) and Marilyn Monroe (5 Serpent) both constitute good examples, one becoming a model of responsible Hollywood life and the other falling victim to her passions. Natives of this day-sign see beneath the surface of things, into the dark nebulae of reality, into a world of other senses--think the "force" from Star Wars. They have a connection with what many cultures have aptly termed the "wisdom of the serpent." Incense is Serpent's past sign and symbolizes intense cognitive powers and metaphysical thinking. Monkey is the left hand power which has a knowing, amoral quality that is neither good nor evil. On the right side is Storm a sign of turbulence and trouble (think Monroe). So without spiritual development the serpent may twist toward its sinister side. In other words, the rage of the Serpent is fierce. So Serpents are both respected for their wisdom and feared for their innate magic. This vital power is ultimately intimately connected with sexuality, and Serpents may easily become slaves to their passions, motivated wholly by their desires.
Therefore, those born under the Serpent must learn to harnass and tame their inner powers. The "body lightening" must be brought under conscious control. If so, they can live a spiritual, wise, and balanced life. The future sign of the Serpent is Corn--a symbol of life and community, a totally positive sign. If Serpents walk the straight path they are a wise asset to the community.
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Back to the Sacred Calendar
the Sacred Calendar
Crocodile
Wind
Night
Lizard
Serpent
Death
Deer
Rabbit
Water
Dog
Monkey
Road
Corn
Janguar
Eagle
Vulture
Incense
Flint
Storm
Ancesters
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If you need anything else, please ask. Leave a comment or email me at the link above. Thanks for your interest.
Check out some photos of the Maya.
Sunday, December 28, 2008
Aura
Thursday, December 11, 2008
Check out my wish list!
Sunday, November 16, 2008
Thursday, November 13, 2008
My Poems have been translated into Spanish
Those of you who know me well know that I put a lot of time and effort in litchaos.com -- my website. In the last six months the site has grown past my expectations. We now are able to publish in print, conduct audio interviews, make videos and more. This issue has some really interesting stuff. Also, poet Andy Riverbed has done the awesome task of translating two of my poems from English into Spanish. Check out him out reading translations of my poetry (Spanish and English). Also, don't forget to click the newest issue of litchaos.com where you'll find an interview with Andy that explains such mysteries as to why Andy was once called 1910. Click his blog to see his translations in print.
Tuesday, October 21, 2008
Pool
Saturday, October 4, 2008
Monday, September 29, 2008
John McCain is energy illiterate
"John McCain is energy illiterate," Matt Simmons is saying. "He's just witless about this stuff. As a lifelong Republican, I'm supporting Obama." A dozen oil and gas men sitting around a conference table in Lafayette, La., chuckle nervously as he continues. "McCain says, 'Oh, we're going to wean ourselves off foreign oil in four years and build 45 nuclear plants by 2030.' He doesn't have a clue."
more... (from the original article by Brian O'Keefe on Fortune online)
Friday, September 26, 2008
Once again the p-funk get slighted!
Wednesday, September 17, 2008
Star Light
This was a chuseok festival, a kind of harvest day in Korea, that the students celebrated. Jung Hyo and I were busy drinking because it was his birthday but this is an awesome piece that he left for the party.
Thursday, September 4, 2008
Two Videos for Henry and Dale, respectively

And for Dale, I know you're always terrified of elephants when they're walking around the streets between the bars in Thailand. I used to think you were a big softy, but maybe you've simply got common sense:
Friday, August 29, 2008
Print Issue #1 of litchaos.com
Friday, June 27, 2008
Wimbledon Prediction
I could see this miss Zheng going to the finals. They've said a Chinese woman would dominate one day. This may be the day. This may be the woman. This may be the prediction. As for Ivanovic, she nearly went out in the second round. At least she spared herself that.
And, Miss Zheng, it looks like you may be doing a lot more English interviews. If you ever need an English tutor with a sharp kick serve, get in touch.
Saturday, June 14, 2008
Flash Fiction -- Instructions on Calming Allergies--
In other news, Lit Chaos #37 is out to rave reviews. This is a very dynamic issue with a music video, visual poetry, art/poetry, (regular) poetry, and flash fiction to its credit. So be sure to check it out and check out the Lit Chaos Wiki where you can directly get involved in the litchaos.com community.
Wednesday, June 4, 2008
Deadlift.
Wednesday, May 28, 2008
Ralph-Michael Chiaia's Big ups!


Tuesday, May 20, 2008
Yankees Lineups
CF Cabrera
SS Jeter
LF Matsui
3B Rodriguez
RF Abreu
C Posada
2B Cano
DH Giambi
1B Betemit
Now, we do have some serious injuries which fouls things up, so some adjustments have to be made. Lefties need to be broken up. Matsui deserves the 3-hole because he's the most consistent and he can hit lefties without changing his swing. Abreu not only cannot hit lefties well, he also changes his swing which then affects his subsequent at bats. Posada and Betemit really solve the lefty problem, but with both of them currently on the bench we'll have to get creative. As for the outfield, sometime you play Damon in LF and move Giambi to a pinch hitter. Also, when playing against a lefty, sit Abreu until you get to the bullpen and put Matsui in RF or Duncan. Abreu's defense isn't so hot anyway. Even with his arm, he doesn't really showcase it much.
Let's try
vs right handed pitching
LF Damon
SS Jeter
DH Matsui
SS Rodriguez
RF Abreu
CF Cabrera
2B Cano
1B Giambi
C Molina
vs left handed pitching
CF Cabrera
SS Jeter
RF Matsui
3B Rodriguez
1B Duncan
2B Cano
DH Giambi
C Molina
LF Damon
Something like that should add some consistency up and down the lineup and get abreu out of changing his swing. Matsui-Rodriguez make a very good lefty-right 3-4 hitter. Also, this lineup provides the opportunity to get a rally from the bottom of the order. Now we need to get some late-inning magic to wake this team up.
Wednesday, April 23, 2008
New Short Story Released
My Last Name is Abraham
(first published at The East Hampton Star -- reprinted here with permission of the author, me)
* * *
The wind blows—ruffling my newspaper—as the phone rings. I was just about to sink into the Sports Section where I dive in. I am kind of annoyed to be reeled in from my morning mind-swim. Reluctantly I answer. A woman says, “I only need 10 minutes of your time.” No way, I think, goddamn telemarketer. And before my coffee. The nerve. Then I stop, cock my head. Wait. I can tell from the age of her voice, the clarity of it, and her lack of accent that she's not a telemarketer. So who is she? what does she want from me?
“For what?” I say.
“Either yes or no,” she says. “A yes will earn the answer to your question, of course. It's only ten minutes. Exactly ten minutes. You can spare that.”
"What the h—heck?"
"Is that a yes?"
"It’s not a no."
"Then it’s a yes. Good answer. Fantastic.” As I sink this turn of events in she starts: “Do you have a newspaper?”
“Yes. I’d just sat down to read it.”
“Great. Look at page one of today's Business section."
“I am in today’s newspaper.”
There is an article about the Asian Auto Expo. Two models are showing off a small Daewoo. "Which one are you?"
"I'm the one on the left,” she says.
It's a sexy picture. Her hair is in a ponytail but long bangs fall at her chin. She's smiling like she knows something I don't. She's a model so of course her body is gorgeous. She stands by the driver's side door of a Daewoo sports coupe.
“You're beautiful.”
“Not really. But I photograph well.”
She tells me people never talk anymore. She blames this on Internet chatting. The cold sell, she says, is dwindling away in our society. People are getting so comfortable being cowards. She once got an email—organized and well structured—asking her if she would consider being a slave for a one year contract.
“Sexual?” I ask.
“Yes. Of course. Paid.”
That kind of thing is hard to say to someone's face. But it's easy to email every girl on a given chat site.
“They say in one hundred and one tries,” I say, “you can get anything.”
“Precisely.”
I try to place her accent. It sounds so clean to me. It must be an American. But from where? There sometimes seems to be a trace of New York but then it fades, is it Ohio, maybe it's not even American, perhaps from some English speaking country, a small one, Belize or a traveler, yes, that must be it: someone who moved around a lot as a child and sucked it all in—the culture, the accents, the adaptability.
Eight minutes have passed. I find myself thinking of how to prolong. What will happen at exactly ten minutes? Will the line go dead? Will she make an exception of some seconds long enough for a polite goodbye? Will she ask if she can call again? She can if she wants. It's her right to dial any number she wants. Obviously, she has the number.
I look around my house to see if anything else is weird. Maybe simultaneously cat burglars are robbing me blind. The blinds (no relation to cheap clichΓ© in previous line) blow a little in the wind and tremble, pattering against the window. One slat has fallen and lies on the ground. I've been meaning to fix it and this call makes me wish I had fixed it a long time ago. And wish I had eaten more apples, flossed regularly, cleaned the bathroom more, fixed the flat tire on my bicycle.
Eight minutes thirty seconds have passed.
“Should we start to say goodbye now?” I ask.
“That's not necessary.” She speaks slowly. Her voice sounds confident. Mine on the other hand begs for guidance. I feel lonely, lost, floating in this world. The blinds bang in the wind.
“Is that really you in today's paper?”
“No. But wasn't it nice to think?”
“Like Holly Golightly.”
“Yes, you got it. Go hard. Truman Capote.”
“I live near his old apartment. The one he lived in with Marilyn Monroe.”
“I knew from your number you were in
“
“How's the view without the
“More dynamic.”
A voice comes on the line. Compared to hers, which has been flowing all over me like beads of sweat down an Aztec red coke bottle on a summer day, it is harsh and automated. The voice drones, “15 seconds.”
“Where are you?” I ask.
“
Two harmonized tones beset the line. The blinds shudder.
Monday, March 17, 2008
Stormy Montclair, New Jersey 2006
Friday, February 8, 2008
Book for Sale at Target
I'm still at Amazon!
And, of course, you can buy my book right here online using Google Checkout or Paypal (see the sidebar on the right). Use credit card, cash, check, or any other currency you can dream up. All barters will be considered.
Thursday, February 7, 2008
The Chartreuse Album
Collected stories based on songs from the Beatles’ White Album.
by Ralph-Michael Chiaia
(this first appeared in the East Hampton Star on 27 September 2007, to whose editors grateful acknowledgment is made)
Why don’t we do it in the road?
On the beach, in the car, on the roof, at the mall, on the red plaid tablecloth at the bar on Wooster and 4th street with the big bay windows and the smiling white waitress.
Why not everywhere?
We just met. It’s that phase before the sloth comes out. The stupidity then directly follows. If we’re willing to live stupid, we’ll stick it out. But now lift that skirt up—glad you didn’t wear underwear.
Why don’t we do it in the road? I don’t know. Why not?
Under the stars, moonlit night at the beach, the water is glowing and shimmering.
Forget the future, the past, here we are radiating hot red affinity like the
Wild Honey Pie
He wears his hat low. She’s already drunk at the bar. She’s surrounded by her entourage of admirers. She’s sparkling. Her stomach is a slab of ham, she’s got a football field between belly button and breasts—she’s the longest torso in the universe, or at least the room.
She gives him that intense look, his lady, for a flash, and then waves at his wife. He is dressed the way she likes in an open blue button down with v-neck underneath and that muscular chest sitting like a rock. Their color is blue. Their code is blue.
She dances with seventeen different men, runs her soft never worked hands along the jaw of a blonde guy. Then she’s throwing up by the fireplace of the pub.
While she holds her baby hand over her mouth he rubs her back and whispers that she will be okay. With her friends, he helps her into a sports car—his wife watches him. Her eye is suspicious. Wild. Blue. Bleu.
Revolution
The steak is sizzling on the grill. She’s yelling at him on the phone. Calling him a moron again. He’s patient, kind of. He thinks he is. He’s telling her that you can’t call him a moron. He can’t take it. Don’t curse at me, he says, don’t call me moron and don’t call me a cheater.
She keeps saying that it’s all his fault. That he has to help her. The steak is really sizzling her.
The Continuing Story of Bungalow Dill
In the highway traffic, boxed in, trapped, stuck, the story spins in his head, beep—lights flash—"watch out, moron!"—beep, the continuing story of a man with a story in his head, he needs to write it down—brake lights, damn. The idea comes and goes: he's in a car because his girlfriend says she's going to kill herself with a shotgun but he has a deadline with the greatest magazine in New York and he's got this great story in mind that he has to put to paper of a man named Bill who's out hunting dear with the president and vice-president of the country when one shoots the other accidentally. Bill, the hero I suppose, says, "But wouldn't you call that slightly politically-destructive?" That's to be the climax of the story but when that happens—. The car stops before pulling into a spot. He runs out of the car to the elevator—up, ding-dong—she opens in her pajamas, no shotgun, cool as any well-refrigerated story.
Everybody's got something to hide except for me and my donkey
Most Hindu Kings had a sage—a rajguru—for consulting work. Would you ever dare call him a lackey? You see October 8th they say in 1582—the year—did not exist because of recent implementation of the Gregorian Calendar. However, 386 years later John Lennon and crew recorded "the Continuing Story of Bungalow Bill" and "I'm so Tired". So it goes. The Dodgers announce they're moving to
Haven’t they got any truffles in
Glass Onion
The boy toyed with a glass onion on the desk. He was congested and his voice betrayed this: "What about multitracking the page?"
"Tracking in writing? Unheard of. Cut and paste, maybe. You know, like Burroughs."
"Yes but what if you want a larger sound, an ensemble?"
"You write characters."
"Ah—that's what's missing from these."
"Who. That’s who. And put down that glass onion."
I’m so Tired
The ash of my cigarette should fall but holds on. It hangs, seemingly breaking physics. My mouth waters. If my legs cared they would lift me through the smoke to the kitchen where I keep my favorite bottles on the dusty top of the refrigerator.
That would calm me down. It is still drizzling outside. It seems it will never stop. The cigarette comes to my lips along with my hand. The drag I take is long. I look down my nose¾and see my own moustache, though blurrily¾and watch the beautiful red light: the smoking. The ash hangs, slightly curved and irregular in a spot. But does not fall.
My body is slouched in this uncomfortable chair ordered out of a catalog with my father’s money. It is the only thing in the room besides the telephone. The phone is by my left foot, the one that rocks with nerves. Nerves zap up and down my veins, all sugared and caffeined up. The nicotine is supposed to calm it. The ash still doesn’t fall.
My mind reaches for the phone, but my muscles don’t. They only bring the cigarette to my lips again. Through blurry nose and moustache the red ignites. I lean forward toward the phone and the ash breaks. It crumbles down into little pieces of paper¾perfectly sized for Barbie dolls to write their memoirs on¾which ticker tape parade to my toes. My hand holds the receiver but doesn’t pick it up.
My mouth waters. The red light on the end is the smoking, current; settling into the carpet is the smoked and the to smoke awaits my inhale wrapped tightly in white paper.
Past reason hunted, and no sooner had,
Past reason hated as a swallowed bait
My favorite of Shakespeare’s sonnets, number one hundred and twenty-nine reverberates in my head and I curse myself. How did I land myself here, alone, in this chair, with the phone cradled against the instep of my naked foot, wrinkled, tired, burning with tension¾body lethargic, nerves racing. The state of in between, so intensely nothing. I search my past reason: it was lust. I admit it. I wonder if I should call. Can’t call. Why would I call now? What would be the point? Nobody would answer.
It wasn’t even the penis, it was that feeling deep in the stomach, where the deep nicotine breath goes, that center of enjoyment, the pleasure gland, just north of the penis.
I hear mumbling in my head. There go my great thoughts, inaudible even to myself, I see them fall from the canal, like a bobsled track, which pours through my brain. It’s a lot like veins but somewhat more cerebral. They fall from the track¾on that track everything is right, straight from the source, the inspiration, but I know now that they are fallen they are no good. I get a glimpse. It’s been two weeks. It’s too long. Way too long.
I get to the to smoke and turn it quickly into smoked. It’s so fast. It’s like that bobsled run. When it’s running, that’s ice, slippery-quick.
I came home, three weeks ago, tired, a lot like today. A lot like today. I watched the sun come up over
I met her some moments before. It was all an accident. It was dark in the club. My eyes really aren’t that good in the first place, and my ears aren’t that great either, especially with background music.
It was lust. I tell you: ‘past reason hated.’ That’s how it is. I mumble to myself. I hear it, heavy.
Mad in pursuit and in possession so,
Had, having, and in quest to have, extreme,
A bliss in proof, and prov'd, a very woe,
Before, a joy propos'd, behind, a dream.
I light another cigarette. I am so tired. But I cannot sleep. I wait by the phone. Maybe it will ring. Soon I can call. The sun is nearly up, like that day:
On the bench, moon up but falling, sun down but climbing. I sat with a friend. The brain changes, the personality rotates along with the moon. The brain is in orbit. At that time conscience came. I realized I didn’t even know that girl. She didn’t even mean to go home with me, she meant to talk to her boyfriend, but he left with his friends, and she and I stood there thinking I was talking to her because I responded thinking she was talking to me. It wasn’t true but I was hungry so I invited her to one of those late night Korean restaurants with the fresh meat cooked at your table and the piss-drunk business men in their private room with geishas and the door open and spicy soups.
She slurped it right down, the spice not bothering her. She told me she was half French and half Mexican, her father and mother left her with her grandfather when she was a baby. She grew up in bars and on the back of his motorcycle. That was the Mexican side.
She was cute enough, and buxom, so when she said, “I am a bad girl, okay? Come home with me,” the correct answer was clear. Smart would have said no, I said yes.
Then on the bench I realized how stupid it was without protection. Peace of mind was sucked out a black hole within me and that nervous strychnine-like tension worm-holed in.
After speaking with conscience, that mumbler, I had my blood taken with that long needle. I felt like fainting for a moment. Blood doesn’t usually bother me.
It is just too early to call so I guess I’ll have another cigarette.
Martha My Dear (I Will)
She always expected an engagement ring. She didn’t expect him to drop down to one knee and produce it from deep inside his pocket. Instead she thought it would be hiding somewhere. Half-expected.
In his apartment, she searched every candy wrapper, examined every empty box, every sock and shoe, even checked his drawers when he turned his back. Once she took all the onions off her fast food burger and held them to the light. They had a ring-like quality. She felt close.
“What the hell are you doing?”
She smiled wide. “I though there might be something special here.”
“Like what?” He tossed her a little packet of ketchup.
She pushed the packet back towards him. “You know.” She smiled.
“There’s no ring. Get off my back.”
She cried.
The next day he brought an apology letter. She searched the empty envelope. Things went on like this for months until her roommate swallowed a bottle of sedatives. On her way to the funeral she saw clearly through the raindrops that her moment was near. Today was the day that would heal her wounds. She heard the divination in the flange of the tires in the rain.
He was waiting for her by the door to the funeral home, dressed in a suit. He escorted her inside. There was a casket between two towers of flowers. People spoke softly, choked up by tragedy. The dead body was dressed like it was enjoying a first kiss at a prom. The eyes were closed and the hands were neatly placed one on top of another. He escorted her through a crowd of family standing near the first row of seats and to the casket. He held her by the hand. Yet when she eyed a jewel she had never noticed before, on the long, slender finger of her roommate’s corpse¾fourteen carat gold, with veins of pure platinum and a circular diamond¾she threw his hand out of her own, ran to the side of the coffin, yanked the ring off, along with the dead now-broken finger, and blurted, “I will! I will!”
Revolution #9
The Star shines.
“There’s nothing like a grease-dripping,
Quegg.
Saturday, February 2, 2008
List of Poems
See his various available poems online and find links to buy his book and see other upcoming projects.
Tuesday, December 11, 2007
Buy Now!
Friday, December 7, 2007
Christmas Time
see I can be like Oprah too.
Also, donations to my website (litchaos.com) would be dearly appreciated.





